Publications of Peter E. Keller

Hove, M. J., Fairhurst, M. T., Kotz, S. A., & Keller, P. E. (2013). Synchronizing with auditory and visual rhythms: An fMRI assessment of modality differences and modality appropriateness. NeuroImage, 67, 313–321.

Repp, B. H., London, J., & Keller, P. E. (2013). Systematic distortions in musicians' reproduction of cyclic three-interval rhythms. Music Perception, 30, 291–305.

Schultz, B. G., Stevens, C. J., Keller, P. E., & Tillmann, B. (2013). The implicit learning of metrical and nonmetrical temporal patterns. The Quarterly Journal of Experimental Psychology, 66, 360–380.

Fairhurst, M. T., Janata, P., & Keller, P. E. (2013). Being and feeling in sync with an adaptive virtual partner: Brain mechanisms underlying dynamic cooperativity. Cerebral Cortex, 23, 2592–2600.

Stevens, C. J., Keller, P. E., & Tyler, M. D. (2013). Tonal language background and detecting pitch contour in spoken and musical items. Psychology of Music, 41, 59–74.

Novembre, G., Ticini, L. F., Schütz-Bosbach, S., & Keller, P. E. (2012). Distinguishing self and other in joint action: Evidence from a musical paradigm. Cerebral Cortex, 22, 2894–2903.

Repp, B. H., London, J., & Keller, P. E. (2012). Distortions in reproduction of two-interval rhythms: When the "attractor ratio" is not exactly 1:2. Music Perception, 30, 205–223.

Wöllner, C., Deconinck, F. J. A., Parkinson, J., Hove, M. J., & Keller, P. E. (2012). The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors. Journal of Experimental Psychology: Human Perception and Performance, 38, 1390–1403.

Engel, A., Bangert, M., Horbank, D., Hijmans, B. S., Wilkens, K., Keller, P. E., & Keysers, C. (2012). Learning piano melodies in visuo-motor or audiomotor training conditions and the neural correlates of their cross-modal transfer. NeuroImage, 63, 966–978.

Sevdalis, V., & Keller, P. E. (2012). Perceiving bodies in motion: Expression intensity, empathy, and experience. Experimental Brain Research, 222, 447–453.

Keller, P. E. (2012). Mental imagery in music performance. Annals of the New York Academy of Sciences, 1252, 206–213.

Phillips-Silver, J., & Keller, P. E. (2012). Searching for roots of entrainment and joint action in early musical interactions. Frontiers in Human Neuroscience, 6. doi:10.3389/fnhum.2012.00026

Repp, B. H., Keller, P. E., & Jacoby, N. (2012). Quantifying phase correction in sensorimotor synchronization: Empirical comparison of three paradigms. Acta Psychologica, 139, 281–290.

Keller, P. E. (2012). Rhythm and time in music epitomize the temporal dynamics of human communicative behavior: The broad implications of London's trinity. Empirical Musicology Review, 7, 17–27.

Novembre, G., & Keller, P. E. (2011). A grammar of action generates predictions in skilled musicians. Consciousness and Cognition, 20, 1232–1243.

Sevdalis, V., & Keller, P. E. (2011). Captured by motion: Dance, action understanding, and social cognition. Brain and Cognition, 77, 231–236.

Sevdalis, V., & Keller, P. E. (2011). Perceiving performer identity and intended expression intensity in point-light displays of dance. Psychological Research, 75, 423–434.

Hach, S., Ishihara, M., Keller, P. E., & Schütz-Bosbach, S. (2011). Hard and fast rules about the body: Contributions of the action stream to judging body space. Experimental Brain Research, 212, 563–574.

Keller, P. E., & Schubert, E. (2011). Cognitive and affective judgements of syncopated musical themes. Advances in Cognitive Psychology, 7, 142–156.

Pecenka, N., & Keller, P. E. (2011). The role of temporal prediction abilities in interpersonal sensorimotor synchronization. Experimental Brain Research, 211, 505–515.