Publications of Marc Bangert

Bangert, M., Parlitz, D., & Altenmüller, E. (1999). Wie auditorische und sensomotorische Hirnfunktionen beim Klavierlernen verschmelzen. Eine Untersuchung von Großhirnaktivierungsmustern. Musikphysiologie und Musikermedizin, 1999(2), 6.Jg, 53–60.

Bangert, M., Kalmring, K., Sickmann, T., Stephen, R., Jatho, M., & Lakes-Harlan, R. (1998). Stimulus transmission in the auditory receptor organs of the foreleg of bushcrickets (Tettigoniidae) I. The role of the tympana. Hearing Research, 115, 27–38.

Schlaug, G., & Bangert, M. (2007). Neural correlates of music learning and understanding. In W. Gruhn & F. Rauscher (Eds.), Neurosciences in music pedagogy (pp. 101–120). ORT: Nova Science Publishers.

Bangert, M. (2006). Brain activation during piano playing. In E. Altenmueller (Ed.), Music, motor control, and the brain (pp. 173–188). Oxford: Oxford University Press.

Kalmring, K., Sickmann, T., Jatho, M., Roessler, W., Hoffmann, E., Unrast, C., … Nebeling, B. (2002). The Auditory-Vibratory Sensory System in Bushcrickets (Tettigoniidae, Ensifera, Orthoptera). I.Comparison of Morphology, Development and Physiology. In G. Heldmaier & D. Werner (Eds.), Environmental Signal Processing and Adaptation (pp. 169–208). Berlin: Springer.

Grossbach, M., Kuck, H., Bangert, M., & Altenmüller, E. (2001). Cortical Representations of Temporal Structures in Music. In J. Zatorre & I. Peretz (Eds.), The Biological Foundations of Music. Annals of the New York Academy of Sciences (pp. 418–420).

Altenmüller, E., Schuppert, M., Kuck, H., Bangert, M., & Grossbach, M. (2000). Neuronale Grundlagen der Verarbeitung musikalischer Zeitstrukturen. In K. Müller & G. Aschersleben (Eds.), Rhythmus. Ein interdisziplinäres Handbuch (pp. 59–78). Bern: Huber.

Bangert, M., Green, A., Nair, D., Özdemir, E., & Schlaug, G. (2006). Motor cortex anatomy of musicials: Special on a macroscopic scale. In Journal of Cognitive Neuroscience (Vol. Supplement, p. 20).

Bohrer, I., Lesinski-Schiedat, A., Dethlefsen, C., Dengler, R., Lenarz, T., Münte, T., … Nager, W. (2005). Anwendbarkeit ereigniskorrelierter Potentiale (EKP) zur Untersuchung neuronaler Plastizität nach Cochlea-Implantat-Versorgung. In Aktuelle Neurologie (Vol. 32, p. P350).

Altenmüller, E., & Bangert, M. (2001). Mapping perception to action in piano practice: Evidence for an anterior right audio-motor interface. In Göttingen Neurobiology Report 2001 (p. 624). Stuttgart, New York: Thieme.

Bangert, M., Häusler, U., & Altenmüller, E. (2001). How to get a piano in your head – effects of practice on cortical and subcortical representations of the sounding keyboard. In Proceedings of the Sixth International Conference on Music Perception and Cognition. Retrieved from http://hdl.handle.net/11858/00-001M-0000-0010-F09F-F

Bangert, M., Häusler, U., & Altenmüller, E. (2001). On practice: How the brain connects piano keys and piano sounds. In The Biological Foundations of Music. Annals of the New York Academy of Sciences (pp. 425–429).

Grossbach, M., Kuck, H., Bangert, M., & Altenmüller, E. (2001). Performance: Rhythm and metre across modalities. In Proceedings of the Sixth International Conference on Music Perception and Cognition. Retrieved from http://hdl.handle.net/11858/00-001M-0000-0010-F226-F

Kuck, H., Bangert, M., Grossbach, M., & Altenmüller, E. (2001). Rhythm and metre. Two dissociated mental representations of temporal structure in music? In Proceedings of the Sixth International Conference on Music Perception and Cognition. Retrieved from http://hdl.handle.net/11858/00-001M-0000-0010-F29D-3

Bangert, M., Parlitz, D., & Altenmüller, E. (1999). An interface for complex auditory-sensorimotor integration: Where the pianist’s cortex maps perception to action. In NeuroImage (p. 419).

Parlitz, D., & Bangert, M. (1999). Latenzen audiomotorischer Tonhöhenkorrekturen von Sängern, Posaunisten und Bratschisten. In Experimentelle Psychologie. 41. Tagung experimentell arbeitender Psychologen (p. 177). Lengerich: Pabst Science Publishers.

Parlitz, D., & Bangert, M. (1999). Short and medium motor responses to auditory pitch shift: Latency measurements of the professional musician's audio-motor loop for intonation. In Joint Meeting ASA/EAA/DEGA Berlin '99 (Vol. ACUSTICA - acta acustica, p. 372).

Bangert, M., Parlitz, D., & Altenmüller, E. (1998). Audio-motor integration in beginner and expert pianists: a combined DC-EEG and behavioural study. In The Göttingen Neurobiology Report (p. 753). Stuttgart: Thieme.

Bangert, M., Parlitz, D., & Altenmüller, E. (1998). Auditiv-Sensomotorische Integration beim Erlernen des Klavierspiels: eine Untersuchung kortikaler Aktivierungsmuster bei Anfängern und Fortgeschrittenen. In Experimentelle Psychologie. 40. Tagung experimentell arbeitender Psychologen (p. 9). Lengerich: Pabst Science Publishers.

Bangert, M., Parlitz, D., & Altenmüller, E. (1998). Cortical audio-motor corepresentation in piano learning and expert piano performance. In Abstracts / Society for Neuroscience (p. 658).