Publications of Marc Bangert

Journal Article (22)

2016
Journal Article
Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase, 22, 496–504.
2014
Journal Article
Engel, A., Hijmans, B. S., Cerliani, L., Bangert, M., Nanetti, L., Keller, P. E., & Keysers, C. (2014). Inter-individual differences in audio-motor learning of piano melodies and white matter fiber tract architecture. Human Brain Mapping, 35, 2483–2497.
2012
Journal Article
Engel, A., Bangert, M., Horbank, D., Hijmans, B. S., Wilkens, K., Keller, P. E., & Keysers, C. (2012). Learning piano melodies in visuo-motor or audiomotor training conditions and the neural correlates of their cross-modal transfer. NeuroImage, 63, 966–978.
Journal Article
Merrill, J., Sammler, D., Bangert, M., Goldhahn, D., Lohmann, G., Turner, R., & Friederici, A. D. (2012). Perception of words and pitch patterns in song and speech. Frontiers in Psychology, 3. doi:10.3389/fpsyg.2012.00076
2009
Journal Article
Ruiz, M. H., Senghaas, P., Grossbach, M., Jabusch, H.-C., Bangert, M., Hummel, F., … Altenmüller, E. (2009). Defective inhibition and inter-regional phase synchronization in pianists with musician's dystonia: An EEG study. Human Brain Mapping, 30, 2689–2700.
2006
Journal Article
Bangert, M., Häusler, U., Jürgens, U., & Altenmüller, E. (2006). Classical conditioned responses to absent tones. BMC Neuroscience, 7, 60.
Journal Article
Bangert, M., & Schlaug, G. (2006). Specialization of the specialized in features of external human brain morphology. European Journal of Neuroscience, 24, 1832–1834.
Journal Article
Schröder, C., Möbes, J., Schütze, M., Szymanowski, F., Nager, W., Bangert, M., … Dengler, R. (2006). Perception of emotional speech in Parkinson’s disease. Movement Disorders, 21, 1774–1778.
2005
Journal Article
Bangert, M., Peschel, T., Rotte, M., Drescher, D., Hinrichs, H., Schlaug, G., … Altenmüller, E. (2005). Shared networks for auditory and motor processing in professional pianists: Evidence from fMRI conjunction. NeuroImage, 30, 917–926.
2004
Journal Article
Bangert, M., Altenmüller, E., Peschel, T., Rotte, M., Drescher, D., Hinrichs, H., & Heinze, H.-J. (2004). Piano-training induces audio-sensorymotor coupling in the cerebral cortex: An EEG and fMRI Study. Aktuelle Neurologie, 31, 163.
2003
Journal Article
Bangert, M., & Altenmüller, E. (2003). Apollos Gabe und Fluch – funktionelle und dysfunktionelle Plastizität bei Musikern. Neuroforum, 2, 36–49.
Journal Article
Bangert, M., & Altenmüller, E. (2003). Funktionelle und Dysfunktionelle Plastizität bei Musikern. Musikphysiologie und Musikermedizin, 10, 131–148.
Journal Article
Bangert, M., & Altenmüller, E. (2003). Mapping Perception to Action in Piano Practice: a Longitudinal DC-EEG Study. BMC Neuroscience, 4, 26.
Journal Article
Kuck, H., Grossbach, M., Bangert, M., & Altenmüller, E. (2003). Brain processing of Meter and Rhythm in music: Electrophysiological evidence for a common network. Ann N y Acad Sci, 999, 244–53.
2002
Journal Article
Kopiez, R., Bangert, M., Goebl, W., & Altenmüller, E. (2002). Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie’s composition ‚Vexations.’ J New Music Res, 32, 243–268.
2001
Journal Article
Bangert, M., Häusler, U., & Altenmüller, E. (2001). On Practice: How the Brain Connects Piano Keys and Piano Sounds. Ann NY Acad Sci, 930, 425–429.
Journal Article
Grossbach, M., Kuck, H., Bangert, M., & Altenmüller, E. (2001). Cortical Representations of Temporal Structures in Music. Ann NY Acad Sci, 930, 418–420.
2000
Journal Article
Altenmüller, E., & Bangert, M. (2000). Die Hand im Ohr, das Ohr in der Hand. Wie auditorische und sensomotorische Hirnfunktionen beim Klavierlernen verschmelzen. Piano-News, 4, 36–39.
Journal Article
Altenmüller, E., Bangert, M., Liebert, G., & Gruhn, W. (2000). Mozart in Us: How the Brain processes Music. Medical Problems of Performing Artists, 15, 99–106.
1999
Journal Article
Bangert, M., Parlitz, D., & Altenmüller, E. (1999). An Interface for Complex Auditory-Sensorimotor Integration: Where the Pianist’s Cortex Maps Perception To Action. NeuroImage, 9, 419.
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